How The New 52 Broke DC Comics

New 52 Justice League
DC Comics / Jim Lee

The reboot was not without controversy though, and by 2013 Marvel had all but reasserted their dominance in the direct market. Numerous editorial fallouts led to creators leaving DC and some changes to the characters were also poorly received.

There was a distinct lack of women involved on the creative level too, which only made the fact that several New 52 titles were criticised for regurgitating stale, misogynistic comic book tropes all the more galling. Factor in confusion regarding the new continuity, as DC struggled to define what was and wasn't still canon with the reboot, public fallouts from writers with editorial and numerous other issues, and it would be fair to say that the New 52 - despite its initial success - was fairly divisive.

It's also the single most important event DC has experienced in the 21st century. The New 52 laid the foundations of not only a new era in the publisher's comics, but of DC in film too. We see its legacy in animation, and even in the DC Extended Universe, and that's interesting, because it's also a reboot DC are now desperately trying to escape.

There's been a recognition from the publisher that the New 52 fundamentally changed the identity of their comics even as early as six years ago, and it's an internal conflict that's playing out close to a decade on from its introduction.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.