Bret Hart Vs. Shawn Michaels Complete History | Wrestling Timelines

March 30, 1991 - We Head East

The Rockers Tag Team
WWE.com

The Hart Foundation, set to imminently disband, defeat the Rockers in the Tokyo Dome. It’s not rated six stars but rather ***¼ by the Wrestling Observer Newsletter's Dave Meltzer. The show, WrestleFest, is promoted in conjunction with the short-lived, moneyed Super World of Sports promotion of Japan.

The match follows the familiar template, but, performed in front of a different audience, is slightly more snug when Hart senses the Japanese crowd won’t put up with their typical high spot-stuffed match. Hart puts real snap on a sublime backbreaker, which Shawn sells brilliantly, his face twisted in anguish. It will become a signature of his.

In a premonition of the future, Hart and Michaels are less interesting the longer they go; this is good, but the lean, punchy SNME match is superior.

June 2, 1992 - Tape Machines Are Rolling

Bret Hart Shawn Michaels
WWE.com

In the second televised singles encounter, taped for the ‘Rampage’ Coliseum Video release, Bret successfully defends the Intercontinental title. McMahon is true to his word; the push is happening. Shawn's singles career as a heel is just beginning.

The match is good, not great. Shawn is precocious, but has yet to develop into a best in the world-tier talent - as evidenced by a jumping knee that misses by a conspicuous distance. It’s an attritional match with many, many sleeper attempts. It’s as if Shawn is very faithfully reproducing how to play a Vince McMahon heel, forgetting how to get his personality across in the process. This is wrestled before he debuts the super-kick as his finish; Shawn is trying and failing to get the teardrop suplex over. Bret, meanwhile, is so great that he nonetheless develops some cracking pin escapes from Shawn’s experimental misfire of a finisher.

The finish is good - Hart dives out of the way as Shawn inadvertently wipes his valet Sensational Sherri off the apron - but the match is a strange one. It’s interesting, though, because structurally, it echoes the stylistic transition period that the promotion itself is undergoing.

It’s still a bit methodical and boring - but the sparks of workrate and technique will soon catch fire.

Advertisement
Contributor
Contributor

Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and current Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!