Wrestling Psychology 101: Everything You Were Too Afraid To Ask

The Young Bucks EVP Trigger
AEW

Psychology is linked to heat. One is the method, the other is the outcome. Jake’s position - while right for its time - is rooted in an old, elusive ideal. Real, earnest heat no longer exists. Wrestlers don’t get stabbed or blasted with acid anymore. Unless you’re a child, you know how it works. If you see a heel cheat in a match, and it’s artless, you don’t get mad at them. You roll your eyes at the booker. If you see a heel cheat in a match, and it’s witty, you laugh along, or pretend to get into it, because it’s an escape.

So what does the wrestler do now, if the old psychology, the old manipulation, doesn’t work?

Effective psychology is sometimes written off because there’s apparently a shallow and easy method of creating noise and “cheap” pops. This is a criticism often levelled at the Young Bucks. The thing is, though, in this age of homogenised style, you will see a match wrestled in the same broad genre as the Young Bucks every single week across multiple promotions. If it was simply that easy, every one of these matches would elicit a loud, thunderous reaction.

They don’t.

Many play out to indifference, as the now-familiar high spots don’t hit in quite the same way. Or in quite the same order - more on that in a little while.

Whether you like the Young Bucks or not, you cannot in good faith deny the atmosphere they summon in their biggest matches. They make the fans go crazy. You might think what they do is awful, and they’re certainly excessive, but they’re the best at it. Consider their 2024 series with Private Party.

The Bucks probably did execute 50 moves in each match, to borrow from Jake’s complaint. Some wrestlers of Jake’s 1980s generation might argue that they did too much, and, by doing too much, they lacked credibility. You couldn’t believe in Private Party as a result. Quen and Zay kicked out of everything. Who was going to buy that the weak Young Bucks could ever put them away?

The short answer is everybody, for every near-fall.

You can’t make the people believe anymore - but you can elevate their heart rate so much that they quite literally forget themselves.

By ramping up the exhilaration, the Young Bucks allow the fans to lose their minds and enter a state of delirium. This isn’t possible if the action isn’t executed in the correct order, if the Bucks don’t know how to escalate the drama so that every late twist feels like the finish. They are the masters of the false finish that has infested almost every company there is.

At Fright Night Dynamite, when they dropped the titles, the Bucks drew on Kenny Omega’s One-Winged Angel finisher in a bid to put Zay away. This was after they’d exhausted their signature arsenal. After they’d cheated. It felt like there was nothing left to do - other than to win.

There’s a sense of finality associated with the One-Winged Angel, the most protected move ever, and an inspired false finish was tweaked further; Quen had been laid out on the ramp through a Kazuchika Okada Tombstone. The Bucks had used what is considered a kill-shot with 100% effectiveness and orchestrated a scene in which they had cut the arena in half, not just the ring. Combined, these two elements drove a sensational near-fall. If there is logic within wrestling, the Bucks bend it. They often ignore the tag rope. While they do sell, often delaying it to generate a wall of noise during the double-down spot, they can be accused of neglecting the cause-and-effect of certain moves. But, as a means to end at least, they are sensational at psychology.

What’s especially impressive about the Private Party series is that the challengers (and eventual champions) were hardly booked well throughout a speed-run of a build. In October 2025, Private Party have vanished, having otherwise failed to realise their high potential. In the autumn of 2024, they looked like world-beaters - against one set of opponents only. The Bucks had to make the crowd believe in the babyfaces throughout the course of the matches. They made the people “mad” that a team in decline, whose popularity would not sustain, hadn’t won.

That’s manipulation. That’s psychology.

The argument that wrestling has gone “too far” is quite literally drowned out by the noise. The Young Bucks have proven that there is no limit to how much you can “do” before the people stop caring. They never miss a peak. The finish is always louder than the near-fall. It can’t be a cheap, temporary sugar rush that doesn’t last. The Bucks have more often than not wrestled the loudest match on the show for a full decade. Jake Roberts agreed on the principle later used by the Young Bucks, if not the method.

CONT'D...(3 of 5)


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Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and current Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!