10 Reasons Rogue One Is The Smartest Star Wars Movie Ever

7. It Shows Star Wars At Its Most Visceral

Star Wars Rogue One Deathtrooper Doll
Disney

Before Rogue One, the mantle of the most violent Star Wars film belonged to the entertaining though obviously problematic prequel, Revenge of the Sith. Like Rogue One and, to a lesser extent, Episode V, the third Star Wars prequel marked a discernible shift in tone for the franchise. The Jedi were executed en masse by the clones they had befriended years earlier, and the ending made it abundantly clear that hope, at least then, was a luxury no one could afford.

Whereas Episode III possessed slight hints of the war genre throughout its proceedings, Rogue One pays homage to those films through and through. There's a reason why it feels as though the film plays out like The Dirty Dozen in space, and it's because it wears these roots on its sleeve. On Scarif in particular, a U-Wing gunner lays waste to an Imperial encampment in much the same way Robert Duvall did in 1979's Apocalypse Now, sans Wagner's Ride of the Valkyries. On the ground, the firefight waged between the rebels and stormtroopers plays out in true Spielbergian fashion, as we see our beloved protagonists succumb to their wounds in much the same way Tom Hanks and his band of G.Is did in Saving Private Ryan.

The parallels here are obvious, but they serve a purpose in adding to Rogue One's inescapable sense of uniqueness within the wider Star Wars canon. This isn't your average Star Wars film, it's a whole other beast altogether.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.