11 Misconceptions About WWE You Probably Believe

1. Vince McMahon Made Professional Wrestling Huge

Vince McMahon Netflix
WWE.com

He didn't. 

He made WWE huge. He then made WWE the shorthand for professional wrestling, and the two became understandably intertwined in the minds of the vast majority right as a digital revolution beckoned, but gatekeepers and record-keepers alike have the facts on the relatively healthy state of wrestling before Vince Jr was even born.

The name Jim Londos invites scorn amongst those that only choose to subscribe to WWE/McMahon's version of events, not least because other respected journalists and historians in the field go to him first as the easiest example of wrestling being anything but the preserve of the "smoky bingo halls" before the recognised symbol of excellence in Sports Entertainment came along. Londos passed away at 81, shortly before McMahon's 30th birthday, having spent decades in the early 1900s as a worldwide wrestling draw beyond anything seen until Hulk Hogan's 1980s domination.

In the 1930s, he became Madison Square Garden's first ever major drawing card, routinely pulling 20,000 to the 'World's Most Famous Arena' for his headline matches, following a relatively barren time for the business in the building. In 1933, Londos visited his home nation of Greece to see his Father, and drew 70,000 to the Panathenaic Stadium for a match against Kola Kwariani. Approximately 20,000 more were on hand outside the venue just to be part of the magic. A year later, he broke the US attendance and box office records in one show when he defeated longstanding rival Ed 'Strangler' Lewis in front of 35,625 fans for a gate of $96,000, both North American records at the time. Adjusted for inflation, that'd comfortably clear $2million today.

WWE was "what the world [was] watching" when the brand exploded - but, much to the egotistical McMahon's chagrin, wrestling had always been a global game.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett