Generations: The Spiders #1 Review

Miles and Peter share the page once more, but is this one-shot worth your time?

Generations The Spiders
Marvel Comics

Rating:˜…˜…˜… ★★★

Brian Michael Bendis has been writing Spider-Man for over sixteen years now, and his affinity for the wall-crawler certainly shows in this latest Generations one-shot, which is also the final issue in Marvel's line-wide 'Generations' tie-in.

The series, acting as a thematic prequel of sorts to Marvel Legacy, follows a bunch of the company's 'legacy' characters as they team up with their OG counterparts. Kelly Thompson did a brilliant Hawkeye tie-in the other month, and Jason Aaron did the same with Thor. The torch now falls to Bendis however, who opted to place one of Spidey's most historic moments in the limelight for Miles' journey through time.

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And it works... for the most part. Bendis really has a feel for the history of the character and the way in which he depicts sixties Spidey is particularly brilliant, with exclamation marks and external monologues adorning the foreground of the issue whenever the pair meet. Ramon Perez's art also pays homage to the pencils of Ditko and Romita superbly, lending the book a really authentic feel that's bound to get Spidey fans talking (and in a good way too).

The issue, primarily, is all about Miles' struggle to reconcile his superhero identity with all the usual Spidey fare; "family, friends, schoolwork" - all of it has taken a backseat while he thwips his way across New York, and it seems as though he's been sent back in time precisely because of this. It's not just any old year though - Miles meets Peter during the events of The Amazing Spider-Man #33, which is about as key a moment as you can pinpoint in the Spidey canon.

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It makes for a thoroughly enjoyable and emotional comic, but one that's also impeded by a somewhat bizarre moment in its final pages where Miles basically thanks Peter for letting him be Spider-Man... kind of? Like, it's genuinely weird to see the character state (in no small way) that being Spider-Man is more about Peter than it is himself.

Final Thoughts

Generations: The Spiders Miles Morales
Marvel Comics

In any case, this Generations tie-in succeeds where others haven't. Bendis, despite the odd moment at the end, handles the story really well, providing a heartwarming tale that pretty neatly exemplifies everything Spider-Man has or ever will be. It reminds us of the struggles that really defined the character in his earliest adventures, and places them in a context where both we - the reader - and Miles can appreciate them even more.

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It's not perfect though, and while the purpose of these Generations tie-ins is plain for all to see, this need to 'remind' readers of where these characters came from feels tacked-on and even somewhat dismissive of the legacies they've built themselves. Miles has been Spider-Man for over six years now, and in that time has managed to endear the hearts and minds of readers everywhere, lead his own book and feature in a number of Marvel's flagship titles.

In that sense, Generations: The Spiders feels almost like a step-back for the character. It succeeds in places, and it's brilliant to see an older Miles interacting with Pete during his college years, but it seems to forego the fact that we've already seen the character own his identity since his initial introduction. Irrespective of whatever Spider-themed struggles he's currently experiencing, Miles is Spider-Man just as much Peter is - a trip through time shouldn't have to serve as a reminder of that.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.