8 Ways TKO Has RUINED WWE

The more things change, the more they stay the same in the TKO era of WWE

Triple H WWE Money In The Bank 2026 New Orleans
WWE

It's worth noting the obvious as a catch-all caveat before diving in here, lest it needs mentioning before every entry - WWE was not the babyface company before the 2023 TKO deal happened. The merger between World Wrestling Entertainment and Ultimate Fighting Championship didn't magically make the market leaders of either side the bad guys overnight - they'd long been that in order to reach the point where they could even become an all-new corporate legion of doom.

Vince McMahon increasingly leaned into it as a leader. Before he resigned in disgrace twice, he was known and almost celebrated for the autocracy he oversaw, with countless talking heads and colleagues noting how he remained involved in every single aspect of the empire he'd bought and built. It was evident in the on-screen output alone, particularly as younger wrestlers and writers pandered to his increasingly dated and deranged tastes. There could be no doubt who was at the wheel up until the day he departed, and even then the period in which he was allegedly consulting had "creative" flashes of what used to make him tick.

Part of that was a in-built culture of job insecurity, over-arching instability (his own, as well as that of many that worked with him) and a transparent lack of respect for just about every stakeholder other than himself. Customers, consumers - us, you and I - included.

WWE has vastly improved its on-screen product in the years since he departed. But everything else...

8. Releases Somehow Get Even Worse

Triple H WWE Money In The Bank 2026 New Orleans
WWE

The release process within WWE had gotten so brutal before the TKO merger that one of the worst days in company history for it became part of a recent grim lore. 

"Black Wednesday" became shorthand for just how little the market leader cared for talent, calling back to April 15th 2020 - the day hundreds of wrestlers and staffers were released or furloughed by a company simultaneously declaring record profits. 

The ills of the pandemic were at the heart of both these issues - the company had saved a fortune on costs in light of how little they could do, but talent being let go had hardly any options of where to go to work for the very same reasons. It showed a naked lack of humanity from the top down, particularly as people the world over grappled with very similar strains and stresses and were turning to pro wrestling and other hobbies like it for much-needed distractions. 

Half a decade later and the release of Luke "Ridge Holland" Menzies brought some brand new ugly conversations to the fore. Holland was injured while wrestling in TNA in September 2025 on behalf of WWE and earning "NXT money" (a sizeable cut from what he generated on the main roster), then revealed the company would not be renewing his contract when it expired in November. This, despite injury keeping him out of the game at least until early-2026. Historically, WWE has added times to deal in order to a) get every last cent from the talent and b) stop them going elsewhere, but Holland's reveal of this information allegedly expedited his exit, and with it, ended his pay sooner.

A rotten deal for the wrestler all the way around and horrific PR for the group, but that's never seemed lower on the agenda anyway...

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett